slideyfoot.com | bjj resources

 Home
 Contact
 Reviews
 BJJ FAQ  Academy

This website is about Brazilian jiu jitsu (BJJ). I'm a black belt who started in 2006, teaching and training at Artemis BJJ in Bristol, UK. All content ©Can Sönmez
Showing posts with label kimura from half guard (top). Show all posts
Showing posts with label kimura from half guard (top). Show all posts

27 October 2009

27/10/2009 - BJJ (Advanced)

Class #255



RGA High Wycombe, (BJJ), Kev Capel, High Wycombe, UK - 27/10/2009

Yesterday marked three years since I first walked into a BJJ school for my introductory class. I've tried to avoid modifying that post since (in case people hadn't noticed, I'm constantly reworking my posts, especially reviews), though I couldn't resist adding a video and a picture some time during 2008. I have just stuck in a bunch of links, but other than that, I'll be restraining myself.

Anyway, three years ago, I was still actively involved in my previous martial art, Zhuan Shu Kuan. I'd barely done any grappling (but still tried to heel hook somebody in June 2006, apparently: totally don't remember that, so was very surprised to come across that post while reading through some old notes. I guess we were all idiot noobs at some point!) and had taken a long time to get interested in groundwork.

I was finally convinced after doing lots of reading at Bullshido, in particular the king of all internet threads and Ben, a guy who still posts there as Asriel (he trains at that Farringdon location I mentioned in the old post). Reading through some old PMs, I'd forgotten how he'd been an important factor in my decision to start at RGA, so I owe him some retrospective thanks. ;)

Since then, I've managed to keep training on a relatively consistent basis, though never especially frequent: at most, its four classes a week, normally more like two. More to my surprise, I've been steadily blogging every lesson ever since: I never expected writing a blog to be so enjoyable. Its brought many advantages since I began doing it seriously in September 2005, and has hugely enhanced my training experience.

If you haven't yet seen Leslie's new article up on BJJ Grrl, go check it out now. Aside from the great writing and advice, I enjoyed seeing the massive number of comments. One of the major advantages of blogging, which sites like BJJ Grrl exemplify, is the sense of community sharing your experiences can foster. BJJ is already known for the manner in which it builds close ties quickly, due to training, sweating and learning together over weeks, months and years. That same sensation extends to the online world: BJJ really brings people together. So, if you're reading this and haven't yet started your own blog, I hope BJJ Grrl inspires you to start!

Speaking of inspiration, I've been thinking about trying something new on this blog for a while now, and those musing articles by BJJ Grrl have motivated me to give it a go. Most of my posts are "we did this, then we did this, I did this in sparring, should have done this." That's really useful for me, but I doubt its especially exciting to read. I don't intend to ever stop doing that (because it definitely helps me focus my training), but I want to try writing something a little more thoughtful on BJJ in general. I'll put up the first of those later this week, and see how the experiment goes.

Getting back to the advanced class, Kev continued with working off (and against) the lockdown. He began by demonstrating a kimura from half guard, off the same passing sequence he'd shown in the beginners class. This time, once you've got the stage where you're grabbing their knee, they attempt to remove your grasp by gripping that same hand.

This is a mistake on their part, but first you need to secure good base. Switch your shin off their leg, instead putting the knee to their side and spreading your legs for balance. Next, remove the arm you were using to cross-face them for the shoulder pressure, instead bringing it under their arm. You can now release your grip on the knee and switch to securing a figure four hold on their arm.

Bring that arm to the ground, then base off your head. This will enable your to raise your hips and straighten your legs, so that you can walk your outside leg over their head, then use that leg to hook their neck. Finally, roll over your other shoulder, taking your partner with you (with that leg in place, you can add further leverage by pressing on their neck as you roll).

This puts you in a great position to finish the kimura. Even if they've grabbed their belt or gi, that hold you have with your leg combined with the figure four grip is really strong. You should be able to break their grip and apply the submission without too much trouble.

For the person on the bottom, Kev ran through a triangle from half guard, which reminded me a little of the techniques from Demian Maia's triangle DVD on Science of Jiu Jitsu. Start by stepping a leg out so you can shrimp to create some space. Get your outside knee into their chest, then lean your torso back, so you're more linear.

You also need to make sure they don't cross-face you, or this technique won't function too well. Use your near arm to 'paw' their bicep, preventing them bringing it to your head. When you've made space, you can shift your grip to their wrist, like Maia does in the picture on the right. You should now have enough space to bring your previously trapped leg through, bringing it all the way out and past their arm.

Immediately lock your ankles around them, after which you can proceed to get the triangle (usual steps of securing head control, clearing their arm, locking your legs in position then adjusting your angle). Don't get greedy and try to jump straight into a triangle as soon as your leg is clear: they're likely to posture up, meaning your legs will never get in place. Its better to lock your ankles first, so you have a strong controlling position, then finish the triangle.

This time my partner for specific sparring was Kev himself: one of the nice things about the advanced class, at least today, is that it was quite small, so I was able to ask Kev loads of questions (I always try to do that anyway, following my own advice on asking questions, but its obviously easier when there aren't many other people there).

I was unsurprisingly unable to pass his half guard, mainly because I couldn't find a way to flatten him out. He immediately got up on his side and secured an underhook, so while I could get a whizzer for some control, I struggled to swim my arm under for my own underhook. Again, this emphasises the massive importance of shoulder pressure: the one time I did manage to get my shoulder vaguely in place, I was far closer to passing than before (naturally still got swept, but it was less immediate).

Later, he had me in a kimura. I was able to manoeuvre myself into a position where I could resist, but it felt like I was mainly just bracing myself against the submission instead of using good technique. This is something I've been pondering recently, as it seems like I might be more productive simply tapping and restarting in those situations.

Kev's advice when I asked him if I should continue to strain or just restart was, firstly, that it depends on if you're safe from injury. If they aren't in the process of dislocating your shoulder, and you're with a controlled senior belt rather than a big, powerful beginner, you will have enough time to tap if you're definitely caught.

Secondly, Kev said that one of the marks of a senior belt is that when they get a good position – such as the kimura he had on me – they don't give it up, trying hard to finish. Similarly, a mark of a senior belt is that they're harder to submit. So, if you can get into a defensive posture that gives you some breathing room, that's good. You now have time to think, what do I need to do to escape from here?

Next time you're in that same position, you'll be able to draw on your experience and react quicker. Even if you didn't get out the first time, the more you're in that position and the more you understand what's happening, the better your chances of escape will be.

Free sparring was with Callum, where I kept ending up under side control. I played around with using the reverse triangle position to help me escape, and also tried out escapes from north south. That didn't work out too good, as Callum spun to an armbar, but it did teach me something about the benefits of instinctive reactions. I like to be able to pause and think, but that time, I knew he was going for the armbar. I also knew there was an escape I could do from here. The problem was, I thought about it rather than just did it, so was tapping before I could even attempt to get free.

At other times, I was trying lots of triangles from the guard. People are slipping out of these too easily, so I'm definitely doing something wrong. I get head control, but they still seem to be able to get through some gap I'm leaving with my legs. It could be I need to be tighter, raise my hips more, get better control of the arm, or simply improve my grasp on their head.

However, I'm glad that I'm at least finding myself approaching triangles more often at the moment: finishing would be nice, but its more important to work out the kinks in my technique for getting there.

21 February 2008

21/02/2008 - BJJ (Advanced)

Class #121



Roger Gracie Academy (BJJ), Gustavo Dos Santos Pires, London, UK - 21/02/2008Advanced

I thought at first the class was going to be taken by Jude, as he ran the warm-up (which was a typically hefty workout), but the main class was taken by Gustavo. He speaks much better English than I realised, so perhaps having Luciano translate was a way of slipping into teaching in another language: his command of English was more than adequate, so presumably he won't need a translator anymore.

First technique he showed was an omoplata from under half-guard. To start, you pull out their gi, so that there is a decent chunk for you to grip: this is always on the side of the leg you haven't trapped. Pull that up around their back. Next, you're going to need a bit of flexibility, as you now raise up the leg (this time on the same side as the one you trapped in half guard), bring your same side arm behind your own leg, then feed their gi into that hand.

You then move your other leg underneath them, bringing the leg near their chest. Use your same side hand to push on their face, making space in order to shift your first leg to the other side of their head. Roll onto the arm, bringing your legs out to get into the omoplata position (the sole of one foot is by the knee of the other, with the knee leg tucked slightly behind your, both wrapped around your partner's knee). Finally, raise up and forward to apply the lock. At least I think so: needed some help from Tran to remember that properly! ;)

Alternately, you can switch to a triangle, readjusting your legs as you bring them over the head, then swivelling to the side and squeezing to secure the choke.

Next, Gustavo showed a kimura from on top of half guard. Bring your knee up into their armpit, then switch your same side arm over to the other side of their head. Cup their elbow and lift it to your chest, posturing up. Grab their wrist, then reach under to grip your own wrist (so the usual figure-four position), bring their arm slightly away from their body and twist. If they manage to take hold of some gi material, you can try grabbing the wrist anyway and initiating a kimura to loosen their grip.

Also, Owen did something with his elbow when we tried using more resistance, pressing into my head or arm: not exactly sure what he did, but made me sufficiently uncomfortable to loosen my grip. Finally, must be careful of my head position, as it was vulnerable to guillotines.

After that, we did some specific sparring from half-guard. As ever, I didn't get too far with Owen, generally just resisting for a while before he either swept, passed or submitted me. I was able to get to the right side to go for a sweep or something proactive, but still having trouble getting up and into position. Need to work on raising up: perhaps think more about simply pushing up on my elbow, or wrapping an arm round to go for the back. Also, reminds me to be careful of people's fingers: you're not allowed to grip those in competition, so I had to pay attention and make sure I was pulling on the palm, back of the hand, wrist etc rather than any fingers.

Specific side control sparring with Grant followed a similar pattern, though if anything he dominated me even more. I couldn't do anything to stop him moving through my side control: felt like I was made of wet tissue paper. I also wasn't able to do a whole lot underneath, though I think I managed to get into half-guard at one point. Not sure, though.

Finally for the specific sparring, we moved to mount, where my partner this time was Huey. I had a bit more success here, at least on the bottom. On top, I could hold him down for a while, keeping my balance by using my hands, holding his head, or a combination of both, but couldn't do anything offensive. I did look for the sleeve choke again, but got nowhere in terms of getting the top arm onto his neck.

Underneath, I was much more comfortable. I move to half-guard a few times, but mainly did the trap and roll, grabbing an arm and leg on the same side then bridging him over. Largely I was able to do so because Huey was actively going for submissions, sitting back and looking for a choke. He wasn't far off the sleeve choke a few times, but I just about managed to get my hand in the way.

Confusingly, class then seemed to end, with everyone stretching, and somebody getting a stripe. However, this is apparently normal – Owen said they've been doing this in the advanced class for a while, although it wasn't done last week. Turns out it isn't the end of class, just the end of formal instruction. After that first hour, people can then spar for 30 minutes. So its effectively the same as normal, just with the option of leaving early. I'm sure I'll be tempted to take that option at some point, but I want to make sure I get at least three spars, which normally takes the full 30 mins as I tend to have a rest between each one.

First bit of free rolling was with Owen again, sucking me into his open guard and moving to a sweep soon after. That happened repeatedly, much the same as when I last sparred Owen some time ago. I think I again ended up under half guard, with similar results to our specific sparring.

After a break, I then had a roll with Daniel. IIRC, he's the 16 year old who moved up from the juniors straight to blue, so I was expecting him to be sharp: having seen plenty of junior classes (because I often arrive early), I noticed Daniel was easily the most dedicated guy there, spending a lot of time getting close attention.

As expected, he was significantly more skilled than me – Jude even told him to tone it down at one point. I think he could probably have been more dominant if he wanted, but presumably went a little lighter after Jude said that. Still, didn't stop him passing my guard at will, getting a mounted triangle, and generally bouncing all over the place while I scrambled to get some kind of hold on him. Only thing I can take away from that is that at least I managed to stay relaxed and not expend too much energy.

My last roll, in what is becoming a regular occurrence, was with Tran. Tonight was especially educational, as he gave me a bunch of handy tips. First was the correct way to hold side control. Start with an arm under the head, the other one underhooking their elbow. Clasp your hands together in a gable grip (palms together, one thumb in and one thumb out), then pull your partners towards you. This isn't just squeezing, but actively yanking them tight into your knees (though there are various leg positions you can use, Tran prefers to bring his knees in close). Make sure the middle of your chest doesn't pass an imaginary line running the length of their body from the middle of their chest, and keep your weight down.

The spar followed the same pattern as before, with me bucking away under Tran's mount. Tran noticed that there was something important I was missing with the upa, which is to bridge up over a shoulder. At the moment, I've been bucking straight up, when I should be looking over to my left or right and bridging in that direction, which makes the motion more powerful.

I seem to have picked up lots of abrasions this class, with the skin of my left shoulder feeling raw, a ripped up left small toe and a hot feeling on the right side of my face. Hopefully my skin is going to get more used to the punishment – I guess I can always tape up my toes, but that doesn't really work for the face and shoulder.

Also looking forward to my blue belt getting less stiff. At the moment, it keeps coming undone due to the lack of give: I've handwashed it once, as I'm a bit wary of the dye. May put it in with a dark wash later, or I could just wait for the belt to go floppy. From what I'm told, most people don't bother washing it to loosen the belt up, as it does that eventually on its own.