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This website is about Brazilian jiu jitsu (BJJ). I'm a black belt who started in 2006, teaching and training at Artemis BJJ in Bristol, UK. All content ©Can Sönmez
Showing posts with label CouchSurfing. Show all posts
Showing posts with label CouchSurfing. Show all posts

16 August 2015

13th to 16th August 2015, Belgium

I was born in Brussels, but I haven't been back since my parents moved to the UK when I was three months old (which is why I have a posh English accent: there isn't a drop of British blood in me, just Turkish and German with smatterings of Dutch and probably Greek). When I saw that there was a BJJ Globetrotters Camp in Belgium, I decided to finally make a return, especially as I love Flemish art. Somehow transmitted via the womb, perhaps? ;)

My arrival into Brussels Airport was free of problems, unless you count getting up at 3am for a 6am flight as a problem. There are regular flights from Bristol: I booked well in advance, costing about £70 return. There are cheaper options, like a 6 hour bus from London. I'm told that's only £35 return, but I prefer the speed and convenience of a plane (if less environmentally friendly).

Leuven

After my train from the airport arrived at Bruxelles Noord (Centrale station is fine for this too), it was straightforward to get a train to Leuven, which will be down in French as Louvain on the information boards. Tickets were €8.80 each way, taking about 17 minutes. Checking my Sygic SatNav, it was only a 24 minute walk from the station to the BJJ Globetrotter Summer Camp at the Sportoase, but my route was immediately made easier once I saw some guys carrying their gis. The Sportoase itself is pretty big, as is the cavernous matted room where the classes were taught, deep within the building. The heat hits you straight away: I was sweating immediately upon entering the GrappleCave.


I ended up doing four classes, starting with Oli Geddes' rolling back attacks. Next time, I'd like to stay for the full week and bring some Artemis BJJ students with me. Handy that I know where it is now and have experienced the process. I'd recommend bringing a very light gi. There's probably no need to book onto the meals (especially as there is open mat time during the booked eating slots).

As if to punish me for complaining about the temperature, a thunderstorm hit just as I was leaving for my CouchSurfing host's house. Fortunately I had checked the weather before I left, so knew to pack waterproofs. After an interesting chat with those hosts (they're building their own house, using straw bales as the main construction material), I fell asleep pretty quickly.

Brussels

Friday to Sunday was dedicated to Brussels. Fortuitously, the location of my next CouchSurfing host meant that I could travel via Etterbeek station, the district listed on my birth certificate. Indulging my narcissism, I took a few pictures, but it's basically just a suburb. Apparently a well known Belgian footballer is from there, so that's presumably the only famous thing a non-Belgian would know.

My host had to rush off to meet up with her mother in Paris, but still had enough time to give me loads of useful info about getting around Brussels. I already knew where I was heading: the museum district. Specifically, I wanted the Musées royaux des Beaux-Arts de Belgique. The translation is Royal Museums of Fine Arts of Belgium, but it sounds much better in French (be careful you don't get it mixed up with BOZAR, the Palais des Beaux-Arts, as I did at first). My guidebook said it was split into three museums, but technically it's four (although the Musée d'Art moderne is just a handful of exhibits). In fact, there are six on the Musee ticket, but two of them are outside of the main building. Getting there meant navigating Brussels public transportation, a relatively straightforward affair.

Trams, trains, buses and the Metro in Brussels all connect. I started off on the 'pre-metro' line 7, heading towards Heysel, then changed at Petillon to the Metro line. Walk around the corner and down the heavily graffitied alley (you should see a big M sign) for the Metro station. There's a ticket machine if you need one, on the way to the Metro. It's €2.10 for an hour of continuous travel, or there are options for multiple trips, 24hrs etc.

For the centre of town, cross over the platform (you should be able to walk straight through the gates, I think. Regardless, you can use your ticket again if not) and get on the Metro towards Gare de L'Ouest (Weststation). Alternatively, you could continue past Petillon and instead switch at Montgomery station, moving to Metro line 1. Either way, get off at Gare Centrale. From there, exit through the main Bruxelles Centrale station, continuing on through the Galerie Ravenstein (built in the '50s). Head up the posh stairs just outside, then turn right and walk to the large square, where you should see the main art gallery in the corner. The museum address, if you want to plug it into your SatNav like I did, is number 3 on rue de la Regence.

There is the option of buying an €8 ticket for a single museum , or paying slightly more (€13) to get access to all of them. On my initial visit, I stuck with the Old Masters Museum (aka Musée d'Art ancien) on the top floor. Its audio guide (€4) is pretty good, full of both interpretive and contextual information, but annoyingly it doesn't come with headphones. There is what looks like a headphone port, but it was too small for my earphones. You therefore end up listening on a speaker, broadcasting to everybody else in the surrounding area. There is also a cloakroom with lockers, costing you exactly nothing (you do need either a €1 or €2 coin to operate the lock mechanism, but you get that back when you unlock it).



Staring intently at every single painting, listening to all the entries on the audio guide, took me three and a half hours. I loved every minute of it. Many of my favourite artists are represented, including Pieter Bruegel (both elder and younger, along with other members of the family), Hieronymous Bosch, Rogier van de Weyden and Petrus Christus. There's the famous painting of Marat by Jacques-Louis David and an assortment of David Teniers as well.

I'm familiar with a lot of the art here, especially Bruegel. The Brueghel family (Pieter, the patriarch of the family, decided to drop the H) is all over the gallery, as you'd expect given they are among Belgium's finest exports (although they wouldn't have called it Belgium in the sixteenth century: that country only came into being after the revolution of 1830).

If you've read my babbling about art before, you'll know my favourite period is quite narrow, from 1450-1750 or so, meaning that once the collection moved towards the 18th century, there were more surprises. For example, a painting of what looks like a female Hercules, sadly not covered by the audio guide. I forgot to take a picture of the caption, but I think this was either 17th or 18th century. It's housed in a section away from the main square of corridors that house most of the Old Masters: the highlight is probably Rubens.

I had a good chat with a fellow CouchSurfer who was staying with the same host when I got back. I had expected him to be Eastern European, given his name is Ivan, but it turned out he was from Northern Italy, which has a lot of German influence. Nice guy with lots of stories from his travels around Asia. He's finishing off seven months exploring that continent with a brief European tour, before heading home to the land of pasta.

On Saturday, it was time for more gallery action at the Musées royaux des Beaux-Arts. This time, I wanted to check out the Fin-de-Siècle and Magritte sections (technically separate museums, but I got a €13 combined ticket and could therefore flit between all of them). The gallery opens an hour later on weekends, from 11:00-18:00, so I had an hour to kill before my second gallery visit on Saturday.


I slayed that hour with the help of Experience Brussels, just across the way from the Royal Museum of Fine Arts/Musées royaux des Beaux-Arts. It's a free interactive exhibit on the city, mentioned in my guide book (the unfairly maligned Rough Guide Snapshot: Brussels). It is relatively dry, full of population statistics and EU history, but I like dry. There are flashing lights and loads of video, if you need shiny things to keep you occupied. ;)

I was especially keen to dig into the demographics of Etterbeek, something the exhibit provided with not only a map, but a video tour of Etterbeek sights too. Contrary to what I thought, there are a few things to see there, such as the Art Noveau Couchiehuis, a museum, a church and even some kind of cool medieval festival. I'll try and head along to some of that next time I'm in Brussels.

Getting back to the Musées royaux des Beaux-Arts, the Musée Fin-de-Siècle was an entirely different experience to the previous day (starting with a queue: on Friday I walked straight in). I knew almost none of the artists, whereas in the Old Masters section I got to see a lot of my long-standing favourites. The audio guide this time went for depth instead of breadth: there would often be long gaps between paintings, then it would go to town on those paintings (and photographs, a major part of this section of the museum) it did deign worthy of comment.

Jarringly, a video of something related would sometimes follow the audio portion of the commentary. That has the plus side of more content and benefitted from video, but on the downside you would sometimes need to sit and concentrate. That's because the pictures under discussion might be on the viewscreen rather than in the museum. With the first entry in the audio guide, it's a whole video to watch, featuring news footage from turn of the century Belgium.


Although I frequently wanted more information on certain paintings, like the massive depiction of a naked baby swarm or Circe with her magically piggified Greeks, I'd say this museum is not far off the quality of the Old Masters section (though that's still easily the best). While it's outside of my usual area of interest, I like art noveau, of which both artists and furniture were on display, reminiscent of the Kelvingrove in Glasgow. How this expansive art noveau collection came to the museum was interesting, detailed at length in the audio guide. There were also some artists I have enjoyed before (mainly at the Musée d'Orsay in Paris), like von Stuck and the Belgian Symbolist Jean Delville,

The Musee Magritte was less engrossing than I'd hoped: whereas I spent over three hours exploring the Fin-de-Siècle, I whizzed round Magritte in about an hour. I got tired of his pretentious posturing, along with the unpleasant memories of Lacan all that talk of signifiers brought up. It was essentially Dali but without the charisma. Magritte's frequent assertion that "oh, all this obviously very densely referential imagery doesn't mean anything, I just threw it together" was especially irritating.

That left me with two extra hours I hadn't expected, so I spent them at the Comic Strip Museum (Centre Belge de la Bande Dessinée). Your €10 journey starts with a history of comics, originating with hieroglyphics, the Bayeaux tapestry and illuminated manuscripts, through to Hokusai, Hogarth and eventually Little Nemo in Slumberland from the early 20th century. Lots of videos with examples are included throughout.

Next up is a thorough dissection of the comic artist's craft. This display breaks down the whole process, from the initial idea through to inking, colouring and publication. There are multiple examples of original sketches and notebooks (unfortunately all in French, but as these are Belgian artists that's to be expected), along with videos giving further details. You can watch a digital artwork for a comic book being drawn step by step, very interesting for me as I have the long term goal of learning how to scribble proper pictures on my phone.


Upstairs, the focus shifts to famous examples of the comic strip genre. I've never been a Tintin reader, which is the first character that springs to mind with Belgian comic art, but I do have fond memories of the Smurfs. Both had large displays, detailing their history as well as offering up sundry artefacts associated with each series. I didn't know that the Smurfs began life as essentially extras in somebody else's comic, before they gradually took over.

I also got to explore a character I had not encountered before, Thorgal. He seems to be in the vein of Conan with a similar sword and sorcery setting, albeit with a heavy Norse influence. There were Thorgal graphic novels in English and French available to read, which was enjoyable enough. I like that it's an ongoing narrative for the last 40 years, rather than a constant reboot as appears to be the case with many other long running comics.

When I got back to where I was staying, my CouchSurfing host had returned from Paris. I spent the rest of the evening with her and Ivan, then the next day she took us on a cool cycle tour of her city. The bikes can be rented inexpensively (though you need a credit or debit card, as they will charge you €150 if you break the bike, so want to have that security before you're allowed to take the bike) through an automated system. Compared to riding my teeny little Brompton it felt like riding an elephant, but I soon got the hang of it. Be aware that the many cobbled streets can make for a teeth-rattling experience.

I flew home to Bristol in the late afternoon, still eating the €2.80 loaf of sugared bread my CouchSurfing host had recommended from her local bakery (she had loads of great tips like that). I will definitely be back, as I'm keen to return for the 2016 BJJ Globetrotters Summer Camp. My plan is to head with my girlfriend to some other Belgian cities first, then meet up with Artemis BJJ students in Leuven for the camp: I want to stay for the whole thing next time. That should also give me a chance to wander round Etterbeek, hopefully learning more about that awesome Renaissance Fair type thing I saw at Experience Brussels.

24 March 2013

24/03/2013 - Leverage Submission Grappling Fundamentals 03 (Turtle & Back Mount)

Seminar #012
Leicester Shootfighters, (Submission Grappling), Nathan 'Levo' Leverton, Leicester, UK - 24/03/2013

My initial entry into Leverage Submission Grappling, a nogi system being codified by veteran UK instructor Nathan Leverton, was last year, with my team mate Steve. Steve kindly gave me a lift in 2012, but this time he wasn't able to go. I decided to take the opportunity to do some more CouchSurfing by coming up on the train the day before, as I had such a good experience in Dallas.

[I'm going to ramble a bit about CouchSurfing now, so if you don't care, scroll past the next three paragraphs ;D]

If you're not familiar with CouchSurfing, it is a social media website which people use to meet up and stay with each other. While that sounds rather bizarre to a lot of people, particularly those who do not spend much time on the internet, it's a process that works very well in practice. There are checks in place, such as a system of references and vouching to warn others if anybody turns out to be dodgy. Leicester was my second time staying with somebody, which I'm also hoping to do when I head over to the US later in the year.

My host this time was Dani, who very handily is only about a mile away from Leicester Shootfighters. After cycling over (the Google Navigation thing on my phone is fortunately quite thorough, so my total lack of a sense of direction didn't matter), it didn't take me long to work out the right house: flags from around the world were peeping out from behind the window. Dani has travelled to a LOT of countries! ;) She and her housemate Justyna greeted me with a big bottle of Becks and a tasty spaghetti meal.

Another CouchSurfer, Sara, was also there: just like in Dallas, there is a vibrant CouchSurfing community in Leicester. We headed out to a local shisha bar, followed by some excellent cheesy music at Hakamou (it was a bit full for dancing, unfortunately, though I could still have a good wiggle). While there we met two cool Canadian students (randomly, it turns out that Pete was well aware of BJJ, as he did some MMA and JKD back in Alberta), who Sara invited back to her flat where we all had a good chat until 4am. Slightly later than I was intending to get to bed, but Dani and Justyna are so hilariously entertaining that I was laughing too much to care. It's impossible to not have a good time with those two, so I'm looking forward to seeing them again before the next LSG seminar. Thanks for the great night out, CouchSurfers of Leicester! ;D
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There has been heavy snow this weekend, which prevented a few attendees from coming along to the seminar. Then again, that does have the positive outcome of more personal attention from Leverton, which is a good thing from a student perspective. As with LSG 04, LSG 03 kicked off with an introduction. Leverton handed out a sheet detailing the techniques to be taught today, again aiming to cover it all off within five hours.

The seminar proper began with around two hours on turtle top position. I rarely go anywhere near turtle, so although many of the techniques looked familiar, I can't think of the last time I used any of them in sparring. My main interest for this seminar was the back mount portion, but I knew that some focus on the turtle would be good for me, given I don't seem to use it much these days. Particularly in regards to turtle, there was a key difference between LSG 03 and LSG 04: wrestling. As LSG 04 was on the guard, the predominant influence was jiu jitsu, but for the turtle, wrestling provides an excellent base.

Leverton's first technique was defending against the person in turtle trying to grab your legs, as they will often be looking for a takedown. The simplest method of blocking that attack is to sprawl. Whether they have grabbed one or both of your legs, start by grabbing behind their armpit, the other hand going on their head (not their neck: aim for the end of the lever where they're weaker). Push their head towards the mat and then sprawl back. It's important you then square up.

When sprawling, you want to make sure you aren't jumping backwards, as that gives them the opportunity to complete their takedown. Instead, thrust your hips into them then slide down. The aim is to create a wedge with your body that means their forward momentum is dissipated. You can then establish a front headlock, shifting your head-hand to wrap around and grip their chin. Drive the point of your same side shoulder into the base of their neck, right where it meets their back. Similarly to the sprawl, this blocks them moving forwards.

Your other hand clamps onto their triceps, then slides down towards their elbow. Come up on your toes, getting your ear into their armpit on the triceps-gripping side. Lower your chin-grip side knee slightly, then pull back on their arm. From there you can go behind, with two main options. The meaner version seemed to be 'snapping' them (a term I've heard in regards to takedowns, but don't really understand in technical detail because I never work takedowns. Ever), driving with your shoulder first then dragging their arm back. The goal is to get them extended, so that it is difficult for them to react as you move around behind.

The nicer option is moving the arm on their chin to the other side of their head. The back of your hand is on their shoulder, while your arm is still pressed against their head. From there, move around. Leverton suggested this as a good option for when the person turtling is mainly trying to stay tight, rather than making any aggressive actions like a wrestler would. It therefore sounds like it could be a good option in the context of BJJ.

The standard way of maintaining control on top of turtle, or at least the option I'm familiar with, is sprawling out the legs connecting your hips. This is a bit like what Leverton called the 'side ride', which he noted was good for strikes (he should know, given he has a long history of training successful MMA fighters). Leverton prefers a different position, where he uses his forearms to create initial hooks before replacing them with his legs. Crouched directly behind them, brace your forearms into their hips (but not your elbows, or they can try to control them) and squeeze your knees into them.

This is just a transitional position, so don't stay there long. You aren't sprawled back from here because that is space they can move into. From here, twist around to one side. On one side, your forearm stays in as a hook on their hip. Leave a leg behind on that side too, still tight to their body. Your remaining arm reaches for their arm on the other side, joined by your other knee.

If there is space, you can just replace your forearm with your leg to insert your hooks. Note that for the second hook, you will have to turn your body before you can insert it, or you'll find the motion awkward. Most likely they won't let you do that and will stay tight. In that situation, Leverton suggested trying a tilt to back mount, with two options. At this point there was a degree of jiu jitsu influence again, as Leverton described these techniques as the 'Maia' and 'Marcelo' back takes respectively.

For the Maia, you're shifting diagonally into their bottom corner. Move your body backwards slightly, diagonally behind you and away from them on the arm-gripping side. Leave a small space, then pull them into that space. That will roll them over the knee you had on the arm-gripping side, ideally straight into back mount. You'll also want to establish a harness/seat-belt grip, with an arm over the shoulder and the other under the armpit.

By contrast, the Marcelo shifts forwards into their top corner. This is more difficult, as it feels like there are more parts to the motion. Start by jamming the knee on their arm-gripping side into the gap between their thigh and their arm (if they are tight there won't be much space, but digging your knee in should open it up). Sliding over their shoulder, drop onto your own shoulder, pushing off your leg to roll them onto you. A common mistake is to just leap over and hope your body weight will be enough to roll them, which almost certainly won't be the case: you need to be pushing off the mat with your leg. During that roll, pinch your knees around their leg to stop them walking through and escaping.

Next, swing the leg you have underneath around their leg to get your hook. You then want to bring your second hook in, which they may block. If they do, you still have one hook, which allows you to use Marcelo Garcia's 'hip extension'. Lock your feet together, then pull them towards you with your seat-belt grip and thrust your hips into their back. That should stretch them out, giving you the space to secure your second hook.
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After a short break, Leverton moved on to bottom turtle, which again was roughly two hours. I was initially nervous when I saw this was due to feature takedowns, as that was liable to exacerbate my groin injury, but fortunately the takedowns were from turtle and staying low, rather than a big lift and drop. The overarching theme for this section was making your turtle dangerous, rather than a purely defensive position.

The other major point was scooting backwards while in turtle. Bring one arm back at a time, to reduce your vulnerability. By moving backwards, this helps to extend your opponent and open up opportunities for attacking and escaping. That does mean you may mash your knees up drilling, as you're sliding them back and forth on the mats (especially if you are just wearing shorts so the skin is exposed), but meh. Hopefully my awesome Pony Club Grappling Gear spats will arrive at some point: the Yang seems to have gotten stuck in transit from Australia a couple of months ago (possibly customs? Or just Royal Mail being rubbish, as they are frequently crap with getting stuff to the office).

Keep your knees wide for base, elbows inside, then defending your neck with your hands (either Aisling's 'Shirley Temple' defence, or crossing your hands). You need to keep the person in front of you so that moving back becomes particularly effective. Leverton ran us through a quick drill, where the person on top just put their hands on your upper back while you were in turtle, the person on the bottom adjusting to stay facing them.

From here you can attack with a single leg, wrapping their leg and keeping your head on the inside, elbows tight, trying to bring their knee into your chest. This can be set up by backing away: even if they're sprawled, they are going to have to come forward to stay on top. To finish the takedown, keep your inside hand locked behind their knee, grabbing their ankle with the other. Pull that out, then move around, put the leg between your knees and bump them with your shoulder.

This combines well with the double leg. Should you get the opportunity, grab both legs, bring your head outside, drive with your outside leg and move on top. In many ways this was similar to how I've been taught to complete the side control escape to your knees. A detail I wasn't doing (or at least haven't emphasised) is sliding your other knee in. Like Roy Dean's takedown, Leverton pivots to the side rather than staying straight on, but wrapping both legs rather than using a knee block.

I'm familiar with the peek out, which I know as a wrestler's sit-out. Although when I say 'familiar', it isn't something I use a lot because I'm lazy and don't like to move very much. The situation is that they have made the mistake of wrapping arms by your hips. Base on an elbow and the opposite foot, then knock back their same side arm with your non-basing elbow.

Bring your non-basing foot through right across to the opposite corner, getting your head up, then spin behind them. Your inside hand stays by the leg in case they try to run behind. Also make sure you are putting your weight onto them when you bring your head through. If your weight is sat on the floor, the person on top can simply put their head on the floor, bring their leg over and mount.

I prefer the arm roll, which I think I first learned during my very brief stint of judo way back, as a set up for waki-gatame. Of course, a good grappler isn't going to give you their arm like that, but it is still worth knowing. Same position, but this time you reach back and lock their arm. Look in the direction of the wrapped arm, then drop your same side shoulder to the mat and roll them onto their back. Turn towards their legs to come on top (if you turn towards their head, they can take your back).

The sit back to guard is another basic option I'm used to, but it turns out that I have been doing this wrong. This is not the same as trying to pull guard off a takedown attempt. As Leverton noted, jiu jitsu guys can get away with that as their opponents don't normally know how to hold the top turtle position properly or perform a decent double or single leg, at least by comparison to a wrestler. Instead of pulling guard, you are sliding over your leg. Do not kick out your leg: just rock back into guard. Leverton came over several times to correct my positioning, so clearly I have some bad jiu jitsu habits to iron out.

Once I do, this could be very useful for escapes I use all the time, especially the running escape. Which is cool, as I've been struggling to finish that escape properly (as opposed to just stalling with the running escape) for ages. I'm looking forward to seeing if I can incorporate Leverton's details, along with the scoot back Geraldine did the last time I taught the running escape. Although as you can see from the picture, the scenario is somewhat different, so perhaps it isn't entirely relevant.



To perform a front headlock escape, there were two versions, early and late. If you can control that arm before they secure it around your neck (this therefore also applies to guillotines and the like when you're in turtle). Grab their wrist and push it down to the floor, then run your head up the outside of their arm until your reach their shoulder.

If you're late and they've managed to get a bit deeper, the focus will still be on that arm. Reach for the elbow of the arm they have by the neck and try to pull it down into your chest. Use the kind of motion as if you were climbing a rope, hand over hand. After you've secure it towards your chest, switch your knees and step around, reaching an arm around their back. This ends up looking a bit like an arm drag.

Leverton took the opportunity here to make some comments about what he called 'sport jiu jitsu'. I know what he means, but it's a term I dislike: I associate it with the marketing campaign to separate 'self defence' and 'sport' BJJ into two distinct styles, which I think is a false dichotomy: that came up again recently here and I also babble about it extensively here.

He basically said that currently in elite BJJ competition, you will see double-guard pulls where top jiu jitsu competitors fight to grab each other's feet. That looks ridiculous even to an educated viewer. Leverton far prefers to get on top, smash with wrestling and look to submit. Given I'm assuming I was one of the few jiu jitsu people in the room, I kinda feel I have to respond. ;p

Not that I disagree with any of that: I don't like the manner in which some competitors currently aim to play footsie either. I also have absolutely no interest in 50/50 and similarly over-complicated guards, aside from countering them with as simple a pass as possible. The main point I want to make - and I'm sure Leverton is fully aware of this - is that there are lots of people within jiu jitsu saying the same thing. For example, Xande Ribeiro, amongst the greatest competitors of all time and still active in major tournaments today. Speaking to Inside BJJ, Xande stated in #58:

Double guard pull? This is insane. You watch a match, and seven minutes is in the same position. [...] You see fights, black belt fights, seven minutes in a position that is not an end, you know? There's a beginning, there's a middle, but no finish.

I even hear people say, "Well, what if you mount the guy for three minutes..." Yeah buddy, I'm mounted on you. That's totally different. I am in a dominant position. But when you are in a position where the only thing that you can do is a toe hold, get an advantage, or maybe an armbar that some people do from there, that's it. What else is in there? I didn't go to a tournament to have someone fight for their life to wrap their legs around my leg and stay there for eight minutes.

I tell people, grab my fricking arm and pull my arm for ten minutes! Pull my neck for ten minutes! Do not pull my leg and wrap around it tight. That's not the jiu jitsu I teach for my students. Double guard pull? What is this double guard pull? All of a sudden jiu jitsu is two guys fighting for the bottom? I don't really appreciate it, it's ugly, it's bad.

People should be a little more proud and think "I'm a bad ass passer. I'm going to pass your legs, go around to your side, hold on to you and you're going to suffer." I think that should be more the mentality, not just a sweeping art. "Ok, I sweep you, then I stall and I get two advantages, then I sit my butt on the floor again."

I wasn't raised like that. I'm from a time when you could slam in jiu jitsu, you could reap the knee. People fought for the finish, points were just consequences of your work.
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Back mount lasted around an hour, brought over from another seminar in the series that was overly long. Starting with the top, lower body control discussed hooking your feet inside. Bring your knees up higher to shorten the length of your legs, as this will provide less space for their escape. Tense the hamstring if they roll, following them over remaining stuck to their back.

Upper body control looked at the seat-belt grip, also known as the harness, which is the basic over the shoulder and under the armpit grip. Leverton prefers to cover his choking hand with his armpit hand: as I've discussed in the past, there are various opinions on the best option. Some instructors teach that covering with the armpit hand means you can go straight to the choke if they try to knock it off. Others prefer having the choking hand on top, so that you already have that immediate route to the neck.

The body triangle depends a lot on both your body type and that of your partner. In my case, I'm quite flexible, but there was no way I was locking my short legs around my partner, who was a fair bit bigger than me (even with Leverton's handy tip about opening your hips by turning your toes downwards).

Next up was a few tips I recognised from Marcelo Garcia, as these are both techniques I've taught in the past and had success with in rolling, based off Marcelo Garcia's material. Marshal Carper, who was among the co-authors for Garcia's book, produced a handy video detailing the techniques in combination. First there is moving them from side to side with your legs, particularly if you have them on the choking side and they try to roll away, then secondly there is the 'hip extension' method for opening up space to insert your second hook (covered more briefly earlier in the seminar).

Leverton also examined the standard transition to full mount if you're losing the back, which looked familiar to how I've seen it taught elsewhere (lock your heel to their far hip and swivel around), althrough I don't normally grab the arm. That's a useful detail to keep in mind.

Leverton then moved into two submissions (incidentally, it was cool that Leverton focused on controlling position rather than loads of submissions, in contrast to numerous other seminars). I have taught the rear naked choke a number of times, but was looking forward to Leverton's version, hoping to learn some useful tweaks. Leverton did not disappoint, providing simple details that could make a huge difference. The most important distinction is the way he places his locking arm, so that it becomes more involved in the choke.

It is entirely possible most other instructors do this, but it is not something that I can remember being emphasised. Set-up the choke in the usual way, bringing your choking arm around their neck with your elbow under their chin and your body tight. The second arm locks up with the elbow in front of their shoulder, not behind. Both of your armpits are therefore resting on their shoulders.

That minor shift in position makes it a lot tighter, along with the considerable advantage of hiding both your wrists (which they now can't grab). Leverton noted that while there are lots of ways of finishing off the choke, such as expanding your chest (which I like to do), you have your arms around their neck so squeeze those before anything else.

Leverton's variation reminded me of the palm to palm lock Kesting does to walk his arm into position. It is also something I've seen on Demian Maia's DVD, where you are essentially choking them with one arm. This is useful if for some reason you can't get that second arm into place, though it is naturally not as strong a choke as when you can get both arms locked in for a true RNC.

If they tuck their chin, you can bring your arm over the head for a nasty Neil Adams style armbar from the back, which involves a vicious grip that is almost a bicep slicer. If for some reason you haven't heard of Neil Adams, he has two Olympic silver medals in judo and is very, very good at armbarring people. When Adams tells you how to do an armbar, you should listen extremely closely. ;)

Grab their wrist, then reach your other arm over. Grab their wrist with that other hand, whereupon you can switch your first grip to your own wrist, securing a figure four grip. Drop to your shoulder, swinging around: as you do, bring your leg across their hips, swinging the other leg out. This spin should be the same kind of motion as when you spin for an armbar from guard (I've always sucked at armbars from guard, so wasn't very fluid at this).

Hook the swinging leg over their head, so the back of your calf is pressing into their face/temple rather than their neck (for the same reason as a Thai clinch, because holding higher on the head is harder for them to resist than gripping by their neck.) Move your arm deeper, so that instead of grabbing your wrist, you're now grabbing nearer your elbow. Curl your wrists up and you can also turn the hand nearer you elbow upwards.

Straighten your leg into their head as you apply pressure with your arms. Speaking from experience, this feels horrible. I would be tapping long before the actual armbar. If your opponent is tougher than me (which is highly likely), use that hold to unlock their hands (which they will normally clamp together to defend the armbar), then drop back for the submission.

You can briefly see Neil Adams himself use the grip in this video, which is from another seminar at Leicester Shootfighters:



Leverton's demonstration of back mount escapes was quick by comparison to the rest of the seminar, beginning with some basic survival details, such as hand placement on the neck. Again, you can use the 'Shirley Temple/Home Alone' or the hands crossed over the neck. Elbow inside, knees up, keeping your abs tight. You can then move into the escape, which was a fairly standard drop to the side and shrimp.

It was essentially the same version Xande demonstrates on his DVD set. Leverton calls it the 'scrape escape'. Drop to your side, bringing your knee in, then lift and pop their knee off with your hip, just like Xande. Shrimp out pushing on their leg, ready to move into guard should they try to move on top, as people normally will attempt. If they've got a choke in the early stages, it is especially important to get your head and shoulders to the mat to reduce their efficacy.

You can also turn to your knees, using the same motion as if you're escaping from under side control to your knees. This is useful for when they've locked their legs in a sort of 'side-on back mount', making it hard to complete the usual escape. If you can drop your elbow, then there is a chance you can thread one leg under the other, turning on the spot to come up in their guard. Leverton also mentioned escaping the body triangle using a similar motion to the scrap escape (personally I just step over their foot and bridge into their locked feet, as he demonstrated, but it as he said it's good to keep practicing that scrape escape motion).

I realised at the end that I had been drilling with Jake from Fighting at Forty blog, which is a good site I've been reading recently. I love meeting fellow bloggers whose work I enjoy, which was therefore a cool way to end the seminar. I'm looking forward to making more of them, which will also mean I can get in some more CouchSurfing fun. All in all, great weekend, particularly as when I got home, I saw that the GrappleThon has now raised over £4000 for Rape Crisis! :D

30 November 2012

USA, Texas - 17th-30th November 2012

Normally when I write up a holiday, it is one of the few times I don't talk about BJJ. However, this trip was totally bound up with jiu jitsu, so I'm inevitably going to talk about it a lot. It was also unusual in that there wasn't much sightseeing. Instead, I spent the majority of my time meeting up with people I've known for years online, enjoying their company. This post is therefsolore going to be a bit boring for anybody who doesn't care about BJJ and the various people writing about it across the internet. ;)

Anyway, I've been saying for years that I wanted to go to the USA for a training trip. I have five states in mind: Florida, California, Virginia, Oregon and Texas. That's partly based on where I get the most blog visitors, but also on people I'd most like to visit. I'm far more interested in meeting up with my favourite bloggers rather than training with big name instructors, though it's of course fun to be taught by a celebrity.

I'll kick things off by talking about transportation, which I imagine will be dull for most people. To skip me babbling about planes and buses, go here. If you're only interested in the training, then all my write-ups for the jiu jitsu I did in Texas can be found here. However, if you're in the same position I was before this trip, looking around for any information on how to travel to and around the US, then there is a chance the stuff on transport might be of some use to you.

Transport

The biggest concern before I left was transport, both in the air and on the ground. Judging by my reading on the net, a lot of people were complaining about how terrible American airline companies were, which at least in the case of Delta doesn't seem to be true. I made the decision to go for a cheaper flight, which also meant it had multiple connections and took much longer. I won't do it again: each time, I was stressing about missing my connection, so I'd rather pay the extra and have a more relaxing flight.


It can also take a very long time. To give you an idea, on the way back I got up at 05:30 on Friday, arriving at the Greyhound station to catch the 08:15 bus to Dallas. I arrived into Dallas a bit after 12:00, after which my friend Triin kindly drove me back to the airport. My flight left at 17:25, arriving into Detroit at 21:30 local time. I had to run to catch my 22:05 flight to Amsterdam. That was an 8 hour journey, getting to Amsterdam at 12:20 local time. There was another wait for the 16:25 to Bristol, which got in at 16:25 local time. Driving back, I finally got home at 18:00 on Saturday, UK time.

For those who don't mind over a day of travel, stressing about missed connections, or have no other choice, then if you're connecting at Charles de Gaulle it takes about 30-40 mins to do it comfortably. That includes getting a bus to the terminal after disembarking, passport control, finding your gate, getting to your gate (you may have to take the airport monorail), security (again, no liquids, so drink that first if you brought any water on the plane), then finally boarding. So, I would recommend at least 2 hours, in case your flight gets delayed (like mine did). I had 1 hour and 25 minutes, which was a bit tight. It was even tighter in Detroit, where I only had an hour. Therefore making sure you have at least two hours layover when booking flights with connections seems sensible.

If you're a fellow UK resident, you'll need an ESTA form (it stands for 'Electronic System for Travel Authorization') when travelling to the US, which you might also see referred to as the visa-waiver program. Get that before you fly and print it out: this lasts for two years, which is handy if you are making multiple trips to the States, particularly as you are currently charged about $14 for it. During your flight into the US, the airline staff will also hand out a white form and a blue form. If you have an ESTA, you only need to fill in the blue form, which relates to customs: this includes any gifts you're bringing with you.

I had read lots of horror stories about how unpleasant an experience it was to arrive in the USA. I was expecting to be subjected to an arduous security check, which all the forums said would take hours and possibly make me miss my flight. Happily, it was nowhere near as bad as that: although you have to pick your checked luggage back up at your first port of entry into the US and then re-check (even if it was checked right through to your final destination), I was finished in less than half an hour.

It is nevertheless true that security personnel aren't too friendly and the process is a little humiliating. You're interrogated on your reasons for coming to the States, then you're fingerprinted, have your photo taken, pass through a 3D body scan and get your hands swabbed. When you reach that 3D scan, take EVERYTHING out of your pockets, even bits of tissue. They need to be completely empty, or as I discovered, you'll be patted down and double-checked. I had assumed it was just metal items, but scraps of tissue and other trouser detritus all count.

I expected to scrape through like my previous connections, but instead I had a 3.5 hour wait in Minneapolis/St Paul. My Kindle helped me while away the time, as did the free airport WiFi (it's intermittent, but does work). MSP Airport also has a full range of charge points, with USB, iPhone and two-pin sockets. Getting through to Dallas/Fort Worth was straightforward after that, arriving on time even though departure was delayed. Dallas Fort Worth similarly has charge points, though during my several hour wait on the flight back, I wasn't able to connect to the WiFi.

Having managed to get into the country, there was another problem: I do not drive. This is anathema to an American, especially a Texan. I was therefore worried I would get stuck in the middle of nowhere, or be trapped in a hulking metropolis unable to go anywhere. As a result I was expecting to rely on Greyhound buses for intercity travel and whatever internal options were on offer in each city (extremely fortunately for me, my friends are brilliant and drove me everywhere. Hence I didn't set foot on a local city bus). It was easy to book the Greyhound online and they were inexpensive: booking in advance, I paid less than $30 total for all three of my Greyhound trips.

The ticket pops up as a pdf (a link is emailed to you as well), which you print out and then present to the official before you get on the bus. Luggage handlers take your checked bags from you and store them under the bus, which you'll pick up at your destination. You're allowed one piece of carry-on luggage, as long as it is small enough to fit either under the seat or in the rack above your head. I had heard some stories of rampant theft on Greyhound buses, so was nervous about the luggage underneath the bus, but encountered no problems. When you get off the bus, wait next to it by the relevant gate to pick your bag back up. They may or may not ask to see some kind of ticket proving it is your bag.

On the Dallas to Austin Greyhound bus, they didn't care that I had a huge backpack as well as my carry on luggage, so I could happily walk on with both. Normally that won't be the case and you will need a label for your checked in luggage. At Austin, they just wrote my departure and arrival stations on a label, ripped it in half and gave it to me to tie onto my bag. In Houston, it was more thorough, starting with a perfunctory security checkpoint (he just opened my carry on bag and had a brief rummage), then going to the desk to get my bag weighed and checked in. This time the slip to keep is stapled inside a blue leaflet, while you bag grows several tags.

All the buses I went on were Express, which I would recommend. It is much quicker, plus they have WiFi and charge points on the bus itself. I don't think it costs more either, given that one of the trips was all of $5 (though you do of course have to book that in advance). Queuing for the Greyhound Express is in a small cordoned off area with red carpet (nice touch), with signs that say 'Express'. You sit in there until your bus is called (there is no electronic board listing upcoming departures, as far as I could tell), then line up on the strips of carpet to head to your bus.

Dallas, 17th-20th November

In terms of getting around Texan cities, I am immensely fortunate to have so many generous friends from jiu jitsu. I met the first of them while picking up my luggage at Dallas Fort Worth Airport: Triin, the founder of Fenom Kimonos. I make a point of supporting Triin and Fenom because she does a lot for women in jiu jitsu. As well as providing quality gis cut for women at a low price, Triin arranges numerous seminars with top female competitors along with regular open mats. She very kindly gave me a lift to where I was staying, a not inconsiderable drive from the airport, then drove me once again for both an interview and then training at the RCJ Machado academy over the next two days.


My host in Dallas was the extraordinarily welcoming Kerry, who shared her neatly kept home with me. I had arranged to stay with her through the popular CouchSurfing website (which my friend and avid CouchSurfer Ben has recommended to me in the past). It operates predominantly on trust, but that's bolstered by a feedback mechanism of references, vouching and comments (positive, neutral or negative).

In Dallas, there is a particularly strong local CouchSurfing group, of which Kerry is a central part. After taking me out to my first ever TexMex experience (enchiladas and tamale), she introduced me to Dallas CouchSurfers at a trivia event in the Trinity Hall Irish pub. The decor was much the same as you would see in any British pub, but each table was assigned a server to take all your orders rather than having to go to the bar. 'Trivia' appears to be the American name for what are referred to as pub quizzes in the UK. I was impressed by the close friendships CouchSurfing has fostered among the group in Dallas, so if you're looking for the best example of what that website is trying to achieve, go see Kerry! :)

Before I went to the USA, I picked up a small guidebook for my Kindle, which was handy in certain respects, as that's where I read about the ESTA, but it missed out some information that could have been useful, such as a fuller explanation of the available museums. Also, as ever with guidebooks, some aspects are already out of date. Sadly, the Dallas Women's Museum closed a while ago, as did the Byzantine Mosaic. I was excited at the prospect of the Dallas Museum of Art, but messed up the timing as most of the museums mentioned in the guidebook are closed on a Monday (the day I had set aside for museum-wandering).

That meant that instead I had a walk about Kerry's local area, mainly to work out the route to the DART station, the light rail system for Dallas. There are not many people out walking in the suburbs of Texas, as everybody drives everywhere. Crossing the road reflects that: you have to be quick. Normally there is at least a button you can press, which eventually turns the red hand into a little white stick man declaring it is (hopefully) safe to walk.

The DART itself is actually a quite decent service: the tickets are cheap ($4 for an all-day pass, which I think goes up at peak times) and the trains are clean. The network isn't that extensive, but for a tourist it gets you where you need to go. It looks as if you might even be able to use it to get to the airport, though I didn't have to test that out. Much like the Tube, DART lines are colour coded, although there are only four of them so it is much less confusing. To plan your trip, go to the DART website.

Getting into Dallas proper, I didn't do a whole lot there on the Monday, but I was able to wander around a recently opened park across from the Dallas Museum of Art. It would of course have been better if the museum was open, but I still got to read about art. The park has racks of books down one side, heavily dominated by art: I spent an hour or two reading more about El Greco, a favourite painter of mine. The park itself is not completely finished so there was some construction taking place, but the seating area has a pleasant atmosphere thanks to the pianist playing lounge tunes.

I didn't realise that in fact there were some museums open that day, just not in the main arts district. They were over on the West End, which I walked past on my way to the Greyhound station (again, to work out the route: I get lost easily, so that kind of thing helps). On Tuesday my bus was leaving for Austin at 13:00, so I could potentially have gone to the art museums, but they all opened too late and too far from the Greyhound to explore them properly. Instead, I took a look at the Old Red Museum, which details the history of Dallas.

Entrance costs a mere $8 and unlike many other museums, it is open 9-5 every day. Annoyingly it does not have a cloakroom, forcing me to lug my enormous backpack around the exhibits, but the collection itself is decent. It weaves together a coherent and engaging narrative of Dallas and the surrounding area, interspersing numerous interactive videos and touchscreen audio snippets with a few artefacts from the relevant period for context.

This is divided into four periods (spanning a little over a century in total, with a nod to the area's much longer history prior to the establishment of Dallas), each in its own room, with a short documentary shown on a loop in a theatre. There is some sound bleeding between all the various audio, meaning that you probably want to time it so that you're listening during the gaps in the main theatre documentary. Old Red focuses on society, business, sport and media, with several subtopics of interest, like the sections on Bonnie and Clyde, JFK's assassination and the growth of the DART system.

The content of the museum attracts lots of school groups, so you may find yourself swamped by Dallas teenagers at various points. However, they tend to be on a set schedule chivvied around the four rooms by a teacher, so you can either wait them out, or just stay in the room ahead of them. Old Red is somewhat dry, but I was surprised by how interesting it was. Well worth a look if you want to get an insight into American history, particularly if you're in Dallas on a Monday when all the major museums seem to be shut.

Austin, 20th-26th November


While I was in Texas, a number of natives asked me why I decided to visit their state. My answer was simple: Georgette. She is the first person I interacted with through the blogosphere in any real depth and in short, she's awesome. I've followed her BJJ musings since she started training in 2008, recorded in her blog here. She's always been interested in more than BJJ (like mine, the blog had been going for a few years before she got on the mats), so there is also discussion of politics, her work as a lawyer and food.

When I was planning my trip, I made sure to contact Georgette to double-check she was around before booking anything. It turned out that I would be arriving during Thanksgiving (I had no idea when it was until that point), which was an exciting prospect because Georgette is a superlative cook. The spread she created for the 22nd was incredible and I gleefully stuffed my face. I also got to meet some of her jiu jitsu circle, plus some cool non-jiu jitsu friends. Georgette hosts numerous vibrant parties at her house throughout the year, which this Thanksgiving meant about twenty people.

I had already been well looked after by Triin over in Dallas, but staying at a fellow BJJer's home emphasised just how amazing the BJJ community can be. Georgette was a superb host, feeding me excellent food, putting up with my endless chatter, driving me wherever I wanted to go and even letting me do several loads of laundry. Her house was large and airy, a considerable contrast to the weeny Victorian terrace I occupy back in Bristol. I had a double-bed all to myself, in a room that wouldn't have shamed a good hotel. :)

My initial entry into the Austin BJJ scene was on Tuesday with her husband Mitch, who trains with Sean Cooper. On Wednesday, I fulfilled a long-standing ambition to train with John, who I met via the Bullshido website: we got together at the Monolith Training Centre, with several other members of the site. John and I spent most of the day together, which was stupendous. He is a fascinating man and has a lovely family, who I had I the pleasure of meeting as well.


Georgette had to leave early due to IVF treatment (which is an expensive and complicated process), but because she is such an incredible host, she made sure that not just one but THREE different sets of her friends were ready to take care of me. We had met Zade and Merna earlier for a meal at Hut's (I can recommend the Mr Blue with a double buffalo burger ;D), who later showed me round Austin. Zade pointed out some of the highlights in the local architecture, as well as a tour around the Texas State Capitol building.

We ate at the Kona Grill, which as Zade promised makes a tasty tuna roll, before heading off to Walmart to shop for a christmas tree. If you're an American that may not sound all that thrilling, but going to Walmart was something I'd been looking forward to. We don't have shops that size in the UK. The SuperTarget was especially awe-inspiring: I could fit my whole house in there, along with the rest of the street plus the surrounding shops!

Saturday involved more training, this time with Jeff Rockwell, who I'd met through a BJJ forum. He has a great group of students over at Raptor Jiu Jitsu, also teaching at the University of Texas in the main urbanised part of Austin. He has been putting up high quality instructional material on the internet for many years now, part of a group of tech-savvy teachers like Matt 'Aesopian' Kirtley. Rockwell's class was friendly and relaxed, while the sparring remained technical: I had the privilege of rolling with Jeff and several of his students.


On Sunday, Mikal took over slidey-sitting duties. He picked me up in the morning (or more accurately, his fantastic fiancée Marlena picked me up, as she did all the driving), then we headed over to the kids BJJ class he runs at the Islamic Centre in Round Rock. Mikal takes the approach that they are miniature adults, so doesn't pander to them with games: it's all about technique. His conceptual approach to side control reminded me of what John had told me earlier in the week, as Mikal also had a positional theory based on control points. In his case, he emphasised to the class that there were four main control points (the hips and the shoulders), of which you need to secure at least three.

While Mikal was off at wrestling practice, I took the opportunity to meet up with Jesse and Susie (who I had met training at Raptor on Saturday) for a drink. We then all got together with Mikal and Marlena, who invited us back to their place for a delectable meal cooked by Marlena. Their housemate Jevon is yet another jiu jitsu practitioner, so the entire room was full of jiu jitsu. Even Jason, a friend of Mikal's, had dabbled in jiu jitsu in the past, and very kindly gave me a lift back to Georgette's house: he had only met me that night. So, my time in Austin closed with yet another example of how open and inclusive the BJJ community can be.

Houston, 26th-30th November


I arrived into the Greyhound station a little after 4pm, where I got to feel like a minor celebrity. An official came up to me and asked "Are you slideyfoot? There's a woman waiting for you outside." Ooo! That was a pretty cool way to start off the last part of my trip, especially as that woman turned out to be Jodi, another awesome blogger I've been looking forward to meeting. I've enjoyed her blog for several years now, as Jodi is a capable and engaging writer. Better still, she is just as cool in person as she is online. :D

After training at Jodi's gym and my first experience of drive-through cuisine, she drove me to where I'd be staying for the next few days. I introduced myself to Conor, his beard and his cat (not necessarily in that order), then settled down for the night. Conor is an example of yet another kind of online friendship, as he is a BJJ guy I mainly know through Facebook. It was therefore very generous of him to invite me into his home right after I mentioned I would be coming to Houston a few months back.

Houston proved to be the most training-intensive part of the holiday. Jodi took me to the noon class at Revolution Dojo the next day, then I experienced the Rilion Gracie Houston academy with Conor on both the Wednesday and the Thursday.

The traffic in Houston feels like the M25 wrapped inside a city. Conor told me that to simply cross the street from where he works, he has to get in his car. I can't imagine living in a place that sprawling and car-dependent, as it looks as if you would be forced to drive for hours to get anywhere (there is a light rail system, but the coverage is tiny). I'm used to cycling for twenty minutes to reach the centre of Bristol: if you tried to cycle in Houston, I'm pretty sure you'd die. Without Jodi's kindness, I would have been completely helpless.

If you're ever in the area and looking for something to eat, I'd suggest you head for Fuzzy's Pizza. The pizzas are delicious and fairly cheap, at least judging by my one experience. I had a wonderfully cheesy calzone crammed with ricotta, mozzarella and I think a few others, to which you can add a stuffing of your choice (I went for meatball), all for $8.95. They proudly advertise that George Bush Sr regularly ate there and has his own item on the menu, as do various US sports stars.


In this trip, people have definitely been my priority over museums, but thanks to Jodi I was able to check out the Museum of Fine Arts. She picked me up from Conor's place in the morning, then we drove over to the light rail station and headed to the arts district stop. Jodi is a keen photographer, so was taking lots of pictures: her camera is way better than mine (I was using my phone as usual), as you can see from the picture of us at Revolution Dojo. Houston is huge and rich, like Dallas, so that meant it has acquired some top-notch art. MFAH has a broad collection displaying a lot more than just paintings. There are intricately carved sideboards, chairs made out of tusks, beautifully ornate gunpowder horns from India, mummies from Egypt and modern light displays.

The European Art section upstairs (note that there are two buildings, connected by a tunnel) feels rather summary, with massive names scattered throughout, like Picasso, Monet and Renoir. Although much of it is still world class, the selection felt rather diffuse: regions and periods are clumped together, as opposed to the clearly focused collections I'm used to seeing at other major art galleries. I think I actually preferred the 'American Made' collection downstairs, especially an expressive statue of a bacchante. Given the subject, I'm not sure if she was meant to be happy or psychotic (after all, a group of bacchante/maenads ripped poor old Orpheus limb from limb), but either way it's a striking sculpture.


Also downstairs was another more tightly arranged selection, on somebody I had never heard of, Henry Ossawa Tanner (1859-1937). He's interesting in that he was (at least according to the information boards) the first African-American painter to achieve international success. His focus was religious paintings, but due to their quality and realism you can fully appreciate them as a secular art fan too (if I take myself as an example). It was also absorbing to watch how his style progressed, moving from realism to a style more influenced by impressionism. Unfortunately you're not allowed to take photos in there, as 'Modern Spirit' is a travelling exhibition.

I am not generally all that interested in photography, but the wall-sized mural of sixty photographs by James Nachtwey caught my eye. It is photojournalism on field medicine, titled 'The Sacrifice', which had added significance as Jodi is medically trained: she was therefore looking at the work with professional interest. Arranging all those pictures into a single large piece definitely changes your perception of the work. I doubt I would have been quite as struck by it if they had been displayed separately.
________________________

My enduring memory of this trip is going to be the wonderful community I'm happy to be a part of through BJJ (a topic Georgette talked about in her write-up too). It is something I've been thinking about a lot recently, because of an article I wrote for issue #11 of Jiu Jitsu Style on the question of whether BJJ is a sport or martial art. Researching that piece and my experience in Texas has helped me clarify just how important that sense of community is to my enjoyment of BJJ. It also helps me understand why I have such an aversion to elements within BJJ which I feel are detrimental to building that sense of community. For example, the very profit-driven marketing popularised by Lloyd Irvin, which appears to promote BJJ as a means to making money and winning competitions to the exclusion of all else.

That community was evident in the warm 'salaam alaikum' between Mikal and fellow members of the Islamic Center of Round Rock, as parents came in to pick up their children from jiu jitsu class, stopping to pray before leaving. It was there in the rich conversation at Georgette's Thanksgiving meal, as the jiu jitsu veterans swapped stories of training while tucking into turkey. I saw it with Conor at Rilion Gracie Houston, when each person who stepped on the mat shook hands with everybody else who had arrived early, getting in some informal pre-training drilling.

It was there motivating children in the Enlightened Warriors program, as described to me by Jesse and Susie. It could be found in the open-armed welcome I received from instructors with entirely different lineages, spanning Carlson, Royler and the Machados. Most of all, it was there in the incredible generosity shown to me by Georgette, Jodi, Triin and Conor, among others. I hope to be able to return the favour when (not if, WHEN! ;D) they come visit the UK.


It is unsurprising that I'm keen to experience more of that community solidarity, particularly the online community that was so unbelievably nice to me in Texas (perhaps jiu jitsu hospitality got mixed with good old Southern hospitality, but either way, it was amazing). Florida is my next goal, as I would love to meet Megan, Allie, Stephanie and Aesopian in person. However, I'm not sure I'd want to do a solo trip again (Update 2014: But I did anyway, here) I'll need to somehow convince my friends that Florida isn't just Disneyland surrounded by swamps full of crocodiles, which appears to be their current impression of the state. ;)

California is another strong option, given the beautiful national parks in that area, and from my perspective, it has cool people like Caleb and Dagney (Update Jun 2013: an option I have now taken, with a full write-up here). I'd love to visit Virginia too, Chrissy and Leslie especially (Update 2014: Also now done, here). I can wholeheartedly recommend jiu jitsu trips to any other bloggers out there. :D