Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 08/09/2011
Last time I showed a couple of options for getting to the back, ready to then teach three weeks of back mount. For this first week, I decided to cover escapes, as that's where I'm most comfortable. I'm going to pause at this point for a terminological babble (see my glossary for more of that kind of thing), as 'back mount' is less definite than I thought it was. I discovered this when telling Geeza what I was teaching tonight: he makes a distinction between what he calls 'back grab' and 'back mount', which is something I haven't heard before. Either way, the former is what I'm going to be covering, where they are sat behind you with their hooks in.
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Having said that, Geeza's term does appear in the IBJJF rules, where you can find the line "front mount, back mount and back grab." There is also a definition on there:
E-) THE BACK GRAB: Is when the athlete grabs his adversary’s back, taking hold of his neck and wrapping his legs around his opponent’s waist, with his heels leaning on the inner side of his opponent’s thighs, not allowing him to leave the position. 4 POINTS.
Unfortunately there isn't a definition for 'back mount'. That may mean that the terms are interchangeable, or that they just didn't think it required a specific definition for some reason. On good ol Wikipedia (not exactly reliable, but hey), it lends support to the interchangeable theory: "When utilizing the back mount, often known in Brazilian Jiu-Jitsu as the back grab." In the marketing spiel for this very spieled up advert, it says "Getting the back mount (aka. "back grab") position". Then there's the US Grappling rules, which seem to use 'back mount' in the same broad sense as I do:
Back Mount with Hooks in = 4 points
Back Mount knees on ground, opponent flat on stomach = 4 points (Additional 4 points are scored by putting the hooks in from this position)
Body triangle from the back = 4 points
None of which is very conclusive, but it's the kind of thing I enjoy researching. ;)
Whether you want to call it the back, back mount or back grab, in that position they are frequently going to begin by trying to attack your neck. Protecting your neck is therefore a priority. In order to choke you, they need to block off both sides of your neck. That will normally use either your gi (e.g., sliding choke), their gi (e.g., ezequiel choke), your arms (e.g., arm triangle) or their arms (e.g., rear naked choke). Therefore you have to be aware of all four of them: note their grips, if they're trying to pull their gi across, if they're attempting to thread an arm through yours, and most obviously, if they are attempting to drive their arm under your chin.
Saulo's back escape starts by putting a thumb inside your opposite collar, using your other hand to block their hands. You then do what Saulo calls a 'big scoop', shifting your upper body down and your hips forwards. Next, kick out one of your legs to clear their hook (you may also need to nudge it with your elbow), then drop your other elbow down past their other leg and turn. You need to be careful here that they can't re-establish their second hook: block it with your elbow and knee if they try.
Step your leg over, using that as a base to shrimp out. Grab their other trouser leg, to prevent them from moving through to mount as you try to escape. Keep shrimping in order to clear their leg, aiming to re-establish guard. Make sure that you are still being careful of your neck, as that is always a danger from back mount. Kev has a useful memory aid he uses when teaching this escape, which is "head, shoulders, hips." In other words, get your head to the mat, then your shoulders, then clear their hips.
Another way to escape the back is by bridging, as taught to me by Kev (which incidentally is the same way Feitosa teaches it on Gracie Barra Fundamentals). Cross your hands under your jaw, pressing the back of each hand against your face, elbows in tight. This should both block attempts to press a forearm into your neck, while still enabling you to use your hands to intercept theirs.
Gradually walk around with your feet, maintaining that pressure on their chest. With your other hand (this will be the same hand that released their hooking foot earlier), reach over and grab their opposite leg. This is to stop them turning into you. It should now be a simple matter to twist into side control. You can also try hooking around their head: the picture below is from a slightly different scenario, as Xande is escaping the turtle, but similar principles apply.
I'd have to say escaping backmount is one of the least practices area's of my skill set, usually relying on athleticism and improv. I'll have to try some of these
ReplyDeleteI end up there relatively often against blues and up, as I've been trying the running escape a lot over the last year. As so often with teaching, this lesson acted as a handy reminder for me too. ;)
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